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ENG 120-2: English II |
Brian T. Murphy |
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This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. |
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Essay Outline
DESCRIPTION:
This course is a continuation of ENG110 and is designed to enhance students'
grammatical and analytical skills with special attention to helping them develop
research and reporting skills through the preparation of research projects.
Along with this, analytical reading will be stressed. Prerequisite: ENG110.
OBJECTIVES:
Students will:
1. Enhance their ability to understand, appreciate and discuss works of literature through extensive reading and discussion;
2. Critically evaluate and respond to selected essays;
3. Analyze short stories for plot, setting, characterization, theme, and point of view.
4. Carefully examine poetry for imagery, diction, tone, speaker, language, and structure.
5. Examine plays, focusing on character development, dramatic structure, and performance.
6. Write essays analyzing works of short fiction, poetry, and drama (see Topics, below).
7. Compose an argumentative research essay using MLA format.
TEXTS:
Required:*
Kelly, Joseph, ed. The Seagull Reader: Literature. New York: W. W.
Norton, 2005 (Available
used starting at $22.91 at Amazon.com***).
Glenn, Cheryl and Loretta Gray.
Hodges' Harbrace Handbook,
16 ed. Boston:
Thomson Wadsworth, 2007. (Available used starting at $53.94 at Amazon.com;
Previous edition - 15th - also available used starting at $7.89 at Amazon.com***)
A good college-level
(paperback) dictionary (Available
used starting at $0.01 at Amazon.com***).
Note: The official course syllabus also requires Mapp, Larry. College Workbook: The Harbrace Handbooks, 2 ed. Boston: Thomson Wadsworth, 2007. It is not required in my class, however.
Recommended additional texts:**
Bloom, Harold. How to Read and Why. New York: Scribner, 2000. (Available starting at $1.00 at Amazon.com***)
Boose, Lynda E. and Richard Burt. “Totally Clueless? Shakespeare Goes Hollywood in the 1990s” from Shakespeare, The Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. 8-21. (Available starting at $4.00 at Amazon.com***); reprinted in Corrigan.
Casagrande, June. Grammar Snobs are Great Big Meanies: A Guide to Language for Fun and Spite. New York: Penguin, 2006. (Available starting at $3.94 at Amazon.com***)
---. Mortal Syntax: 101 Language Choices That Will Get You Clobbered by the Grammar Snobs—Even If You're Right. New York: Penguin, 2008.
Cathcart, Thomas and Daniel Klein. “Logic.” Plato and a Platypus Walk into a Bar...: Understanding Philosophy Through Jokes. New York: Abrams Image, 2006. 27-49. (Available used starting at $6.73 at Amazon.com**)
---. Aristotle and an Aardvark Go to Washington: Understanding Political Doublespeak through Through Philosophy and Jokes. New York: Abrams Image, 2007. 27-49 (Available used starting at $10.85 at Amazon.com***).
Cohen, Paula Marantz. “Shakespeare Goes to the Movies.” DOJ: The Drexel Online Journal.
Corrigan, Timothy, ed. Film and Literature: An Introduction and Reader. Upper Saddle River, NJ: Prentice Hall, 1999. 340-356. (Available starting at $11.00 at Amazon.com***)
Crystal, David. Words, Words, Words. New York: Oxford U P, 2006 (Available used starting at $9.28 at Amazon.com***).
Denby, David. Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. New York: Simon & Schuster, 1996. (Available starting at $0.29 at Amazon.com***).
Dirda, Michael. Classics for Pleasure. Orlando, FL: Harcourt, 2007. (Available starting at $1.49 at Amazon.com***)
Feldman, Gail M. “Adapting Shakespeare to Film.” Inside Film Magazine Online.
Giannetti, Louis. Understanding Movies, 10 ed. Upper Saddle River, NJ: Prentice Hall, 2005. (Available starting at $54.00 at Amazon.com***)
Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton, 2004. (Available used starting at $1.91 at Amazon.com***).
Haig, Matt. The Dead Father's Club: A Novel. New York: Viking, 2006. (Available starting at $0.59 at Amazon.com***)
Kliman, Bernice W. Hamlet: Film, Television, and Audio Performance. Rutherford, NJ: 1988. (Available starting at $40.00 at Amazon.com***)†
Kozol, Jonathan. Letters to a Young Teacher. New York: Crown, 2007 (Available starting at $12.15 at Amazon.com***).
Kozol, Jonathan. The Shame of the Nation: The Restoration of Apartheid Schooling in America. New York: Crown, 2005 (Available starting at $10.17 at Amazon.com***).
Lederer, Richard. Anguished English: An Anthology of Accidental Assaults Upon Our Language. Charleston, SC: Wyrick & Company, 1987 (Available used starting at $0.01 at Amazon.com***).
Lederer, Richard. More Anguished English: An Expose of Embarrassing Excruciating, and Egregious Errors in English. New York: Dell, 1994 (Available used starting at $0.01 at Amazon.com***).
Truss, Lynne. Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books, 2004 (Available used starting at $2.70 at Amazon.com***).
*Note: Most of the individual essays, stories, poems and plays to be read and discussed are available online; these are indicated on the schedule (below) as hyperlinks. However, students are still strongly cautioned that they must purchase the textbook for class use, as well as for the supplemental materials included. One additional poem (
Ralegh, "The Nymph's Reply to the Shepherd") is not included in the textbook, but should be accessed through the link provided. Please bring hardcopy (printout) of this poem on the day indicated on the schedule.** Recommended additional texts are not required purchases, and have not been ordered for the course; however, they provide alternative readings, historical and cultural backgrounds, criticism, personal literary responses, or entertaining (irreverent, possibly sacrilegious) revisions. Students who find themselves becoming deeply interested in one or more of the required readings may find these interesting and/or useful. When indicated with a dagger (†), texts are only provisionally recommended, as I have not read these works yet, although they have received excellent reviews or recommendations.
*** Prices listed at Amazon.com do not include shipping, and are accurate as of original posting date only; no guarantees of prices or availability are express or implied§.
CLASS POLICIES:
Attendance:
Students must not only attend every
class, but also be on time, be prepared, and take an active part in class
(see Participation, below).
Moreover, once you get to class you are expected
to stay in the classroom until the class is over. Leaving class early or getting
up in the middle of class is considered disruptive behavior and should happen
only in extreme emergencies. Students may be required to sign in at the
beginning of each class
session to verify their attendance. Students unable to attend class should
contact the instructor regarding their absence in advance or as soon as they
return to school.
Plagiarism and Cheating:
Plagiarism includes copying or paraphrasing another's words, ideas, or facts
without crediting the source; submitting a paper written by someone else, either
in whole or in part, as one's own work; or submitting work previously submitted
for another course or instructor. Plagiarism, cheating, or other forms of
academic dishonesty on any assignment will
result in failure (a grade of zero) for that assignment and may result in further disciplinary
action, including but not limited to failure for the course and expulsion from
the College.
Homework/Essay Submission:
All writing assignments must be
received by the instructor on or before the due date, by the beginning of the
class period, as indicated on the
schedule, below. No late submissions will be accepted. A grade of
"F" will be given for any draft or final essay not submitted on the specified
date.
Make-up Exams/Late Work:
All assignment deadlines and scheduled exam dates are provided at the
beginning of the semester; therefore, late papers will not be accepted nor will
make-up exams be offered, except under
extraordinary circumstances with appropriate documentation. Excuses such
as “crashed computers,” “lost disks,” or “empty printer ink cartridges” will not
be accepted. It is suggested that all work be saved both on your
computer’s hard drive and again on disk or removable storage device.
ASSIGNMENTS:
Attendance and
Participation (7.5 points):
As this class will combine both lecture
and discussion, students are expected both to attend every session and to take
an active part in class—joining
in discussions and raising questions. Discussion is one of the best ways to
clarify your understandings and to test your conclusions. Open discussion always involves personal exposure, and thus the taking of
risks: your ideas may not be the same as your fellow students’ or even the
instructor’s. Yet as long as your points are honest and supportable, they will be respected by all of us in the classroom. Questions, discussion,
disagreement, and laughter are all encouraged in this class (However, ridicule
or scoffing is never tolerated).
Quizzes/Writing Assignments (7.5
points):
With the exception of the first
day, class may begin with a short (five- to ten-minute) quiz or writing
assignment on the reading(s) for the day, at the instructor's discretion. In-class quizzes
or writing assignments cannot be made
up; if you miss a quiz or writing assignment due to absence or lateness, that grade will be regarded
as a 0. At the end of the semester, the lowest grade will be dropped. Total number of quizzes and writing
assignments during the
semester will determine the point value of each; that is, if 16 quizzes are
given (with the lowest grade dropped), each is worth up to one-half
point.
Short Essays (3 @ 10 points):
Students will complete three essays during the semester: literary analyses of works of
fiction, poetry, and drama,
on
topics selected from the list of suggestions provided (see
Essay Topics) or developed in
consultation with the instructor. Essays must be at least
three to five (3-5)
pages, typed (12-point Times New Roman), double-spaced. Essays should be
grammatically correct, free of errors in mechanics, grammar, usage, spelling,
and documentation, and stapled when submitted; they will be evaluated according to the
Model for Evaluation of Student Writing.
Please refer to
Writing a
Literature Paper and
Getting an A
on an English Paper as well as the Paragraph Outline or
Essay Outline and
Revising and Editing Checklist for
additional assistance.
Exams (3 @ 10 points):
Students will also complete three in-class exams. The exams will evaluate
the students' knowledge of material studied during the previous weeks, and will
cover short fiction (Exam 1), poetry (Exam 2), and drama (Exam 3), including
specific texts, themes, and literary terminology. The exams may combine
objective questions and short essay answers, and students may be entitled
to use notes or textbooks for the essay portion of the exams.
Research Essay (25 points total):
Students will also complete an argumentative (persuasive) Research Essay of
at least five to seven pages (at least 1250-1500 words), using a minimum of three
to five primary or secondary sources, correctly documented utilizing
MLA-style
citations, with a
cover page
and
Works Cited page (cover page
and
Works Cited do not count toward the six-page requirement). The
research essay will be completed in stages during the semester; points will
accrue as follows:
Topic Selection and Preliminary Thesis (2.5 points):
Before beginning the research essay assignment, students will develop and
submit a clear, well-written, one-page explanation of the topic chosen from the
list provided and the
reason for selection. This proposal should include a preliminary idea of the
plan of the paper, its intention or research question, and a clear,
well-written, explicit, and assertive
preliminary thesis statement
Annotated Bibliography (2.5 points):
Students will develop and submit an annotated bibliography for
the
research essay assignment, with a minimum
of five to seven sources, correctly cited according to
MLA style.
Research Paper: Preliminary Draft (5 points):
Students will complete a preliminary draft of their completed
research essay for evaluation and comments.
Research Paper: Final Draft (15 points):
The final draft of the research paper must be submitted in a folder,
including copies of all sources used and all of the above assignments associated
with the research paper.
Poetic Recitation (2-4 points Extra Credit): Students may select and memorize one of the selections below to be recited in front of the class for extra credit. Memorization serves the student’s skills of reading lines carefully and making judgments about how particular passages can be interpreted. A single recitation is worth 2 points extra credit; a second or third recitation will earn one additional point each. Note that each student can only recite a specific poem once; you will not receive additional credit for repeating a poem after you have already received credit for it! There will be opportunities for recitation three times during the semester, on each of the three exam dates; students must sign up for these dates at least one week in advance, as sufficient time must be allocated for completion of the exam.
Selections for Recitation:
Dickinson, “Because I could not stop for Death—”: 24 lines
Frost, “Stopping by Woods on a Snowy Evening”: 16 lines
Hopkins, “God's Grandeur”: 14 lines
Owen, “Dulce et Decorum Est”: 28 lines
Shakespeare, “Shall I compare thee to a summer's day?”: 14 lines
Shakespeare, Hamlet III.1.63-97 (“To be, or not to be”): 34 lines
Shelley, “Ozymandias”: 14 lines
Tennyson, “Ulysses” ll. 44-70: 26 lines
Yeats, “The Second Coming”: 22 lines
Extra
Credit (various opportunities, at 1–2
points each):
In addition to Poetic Recitation,
above, students will be notified of opportunities for
extra credit, including attendance at various cultural events related to the
class ("Recommended Fieldtrips"). If students attend one or more of these
events, and provide evidence of attendance (ticket stub, program, et cetera)
along with a typed one- to two-page personal response (review, analysis,
reflection, critique, et cetera), they can receive up to two points
per event added to their final average. Recommended Fieldtrip/Extra Credit
opportunities offered thus far include:
Zombie Joe's Underground Theater Group presents:
Edgar Allan Poe's “The Masque of the Red Death”
(also includes “The Tell-Tale Heart” and “The Bells”)
August 27–September 28
St. Luke’s Theatre
308 West 46th Street
(Between 8th and 9th Avenues)
Wed., Thurs., Sat. 8:00 PM, Sun. 7:00 PM
$56.50, $31.50
All prices include a $1.50 facility fee.
Tickets purchased online and by phone are subject to a per ticket service charge of $5.50 and a per order handling fee of $1.50.
Telecharge: 212-239-6200 or Telecharge.comThe Pearl Theatre Company presents:
The Oedipus Cycle
by Sophocles; translated by Peter Constantine
Previews begin Tuesday, October 14
Opens Monday October 27
80 St. Marks Place, at 1rst Avenue
Call for tickets: 212-598-9802, or Buy Tickets OnlineHamlet by Andrzej Wajda
1991, 154 minutes. Based on the play by William Shakespeare
Anthology Film Archives
32 Second Avenue
New York, NY 10003
(212) 505-5181
Upcoming Showings:
Saturday Oct 25 6:00 PM
Tuesday Oct 28 8:00 PM
(Check Anthology Film Archives website for future showings)
GRADING:
Final average will be calculated as follows:
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7.5 points |
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| Quizzes/Exercises | 7.5 points |
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Short Essays (3 @ 10 points) |
30 points |
| Exams (3 @ 10) | 30 points |
|
Research Paper (25 points total): |
|
|
2.5 points | |
|
2.5 points | |
|
5 points | |
|
15 points | |
| Total |
100 points |
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EXTRA CREDIT (if any) will be added to the final total. |
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Total Points earned (Final Average) will determine the grade received for the course, as follows:
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Total Points |
Final Percentage |
Final Grade |
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90-100+ |
90-100 |
A |
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85-89 |
85-89 |
B+ |
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80-84 |
80-84 |
B |
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75-79 |
75-79 |
C+ |
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70-74 |
70-74 |
C |
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60-69 |
60-69 |
D |
|
0-59 |
0-59 |
F |
OUTLINE:
Projected Schedule of Readings and
Assignments
Note: All readings below are required, and must be completed by the day indicated; the only exceptions are those indicated with an asterisk (*), which are recommended additional readings or resources.
Readings from The Seagull Reader: Literature are identified below by author and title as well as page number, e.g., Faulkner, “A Rose for Emily” (93-103); readings from Hodges' Harbrace Handbook are identified by page numbers (e.g., Hodges' 17-23) throughout.
Red text indicates due dates or links to assignments; Blue text indicates links to assignments, resources, or online versions of texts. LitIQ Quizzes indicated below are additional, optional online exercises for review purposes only. (Note: While every effort is made to verify the accuracy and usefulness of these links and their contents, no guarantees are made. Please notify me of any broken or outdated links at bmurphy@Brian-T-Murphy.com).
Note: This schedule is subject to revision according to the Academic Calendar for the semester, school closings due to inclement weather or other reasons, the instructor's discretion, and the progress of the class. Additions or changes will be announced in class, and they will also be posted here as well as on the class Announcements page.
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Important Dates, Fall 2008: |
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| Classes Begin: | Tues., Sept. 2 |
| Last Day to Register: | Tues., Sept. 16 |
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Program Adjustment Period (Drop/Add or Change Section): |
Tues., Sept. 2–Tues.,
Sept. 16 or Thurs., Sept. 18* |
| Last Day to Withdraw: | Mon., Oct. 20 or Friday, Oct. 24* |
| Thanksgiving Recess: | Wed., Nov. 26–Mon., Dec. 1 |
| Exam Period (Finals Week): | Tues., Dec. 16–Tues., Dec. 23 |
| Classes End: | Tues. Dec. 23 |
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*Dates uncertain; see Fall 2008 Academic Schedule |
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Week: |
Dates: |
Readings and Assignments: |
| 1 |
Tuesday, Sept. 02 |
Course Introduction: Syllabus, texts, policies, assignments Diagnostic Essay |
|
Thursday, Sept. 04 |
The Seagull Reader: Literature Introduction (xvii-xxiv); The Rhetorical Situation (Hodges' 367-379); Planning and Drafting Essays (Hodges' 392-417); Essay Outline | |
| 2 |
Tuesday, Sept. 09 |
Stories (1-21), esp.
Plot (10-14);
Faulkner, “A
Rose for Emily”
(93-103)
(also here) *Recommended additional reading: Fetterley, Judith. “A Rose for ‘A Rose for Emily.’” The Resisting Reader: A Feminist Approach to American Fiction. Bloomington and London: Indiana U P, 1978. Lee, Jennifer8 and Ann Farmer. “Estranged Son Visits Parents’ Home and Finds Skeleton Instead of His Father.” New York Times 22 Nov. 2006: B4. *LitIQ Quiz A: A Rose for Emily; LitIQ Quiz B: A Rose for Emily |
|
Thursday, Sept. 11 |
Character (8-10); O’Connor, “A Good Man Is Hard to Find” (244-260)
*Recommended additional reading:
Downes, Lawrence.
“In
Search of Flannery O’Connor.” New York Times 4 Feb. 2007. sec. 5:
1+. *LitIQ Quiz A: A Good Man Is Hard to Find; LitIQ Quiz B: A Good Man Is Hard to Find |
|
| 3 |
Tuesday, Sept. 16 |
The Thesis Statement: "Conveying a clearly stated thesis" (Hodges'
399-403); Preliminary Thesis Statement Assignment (Due 25 Sept.) Setting (14-15); Gilman, “The Yellow Wallpaper” (110-128) *Recommended additional reading:
The ultra-concise
“The
Yellow Wallpaper” from
Book-a-Minute Classics
*See also,
“The
Yellow Wallpaper”
(audio recording) |
|
Thursday, Sept. 18 |
Point of View
&
Narration (4-8); Poe, “The
Cask of Amontillado” (282-290) *Recommended additional reading: "Freemasonry": Wikipedia entry King, Stephen. “Dolan’s Cadillac” from Nightmares and Dreamscapes (1993) Morressy, John. “The Resurrection of Fortunato.” Fantasy and Science Fiction Magazine, March-April 2003. *Recommended Fieldtrip (Extra Credit):
Zombie Joe's Underground
Theater Group presents: *LitIQ Quiz A: The Cask of Amontillado; LitIQ Quiz B: The Cask of Amontillado |
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| 4 |
Tuesday, Sept. 23 |
Theme (20);
Symbolism (15-18);
Motifs (18-19); Hawthorne, “Young Goodman Brown” (128-141) *Recommended additional reading: Blumberg, Jess. "A Brief History of the Salem Witch Trials." Smithsonian.com. 24 Oct. 2007 <http://www.smithsonianmag.com/history-archaeology/10769816.html>. The super-short “Young Goodman Brown” from Book-a-Minute Classics
|
|
Thursday, Sept. 25 |
Finding Sources in Print, Online, and in the Field (Hodges' 495-518); Evaluating Print and Online Sources (Hodges' 519-531) | |
| 5 |
Tuesday, Sept. 30 |
MLA Documentation
(Hodges'
552-616);
Works
Cited Instructions Welty, “A Worn Path” (338-347) (also here) |
|
Thursday, Oct. 02 |
Sign up for
Extra Credit (recitation) Walker, “Everyday Use” (328-338) (also here, or here in .pdf format) *Recommended additional reading: Hoel, Helga. “Personal Names and Heritage: Alice Walker’s ‘Everyday Use.’” |
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| 6 |
Tuesday, Oct. 07 |
Essay One Due (Fiction); Poetic Recitations; Exam One (Fiction) |
|
Thursday, Oct. 09 |
Using Sources Effectively and Responsibly: Integrating
Sources (Hodges'
539-546); ;
Incorporating Sources In-class writing assignment: here (Microsoft Word), here (Microsoft Works), or here (Rich-Text Format) |
|
| 7 |
Tuesday, Oct. 14 |
What is Poetry?;
Introduction to Poetic Analysis;
*See also,
Understanding and Explicating Poetry |
|
Thursday, Oct. 16 |
Marlowe,
“The
Passionate Shepherd to His Love”
(531-532); Raleigh, “The Nymph’s Reply to the Shepherd” (not in textbook; to be distributed as handout or print out and bring to class) *See also “Philomela” (Encyclopedia Mythica), “Philomela” (Ovid Metamorphoses Resource Page), and “Philomela” (Wikipedia). *LitIQ Quiz A: Word Choice, Word Order; LitIQ Quiz B: Word Choice, Word Order |
|
| 8 |
Monday, Oct. 20 |
Last Day to Withdraw? (see above) |
|
Tuesday, Oct. 21 |
Herrick,
“To
the Virgins, to Make Much of Time” (490); Marvell, “To His Coy Mistress” (533-534) |
|
|
Thursday, Oct. 23 |
Owen,
“Dulce et Decorum Est”
(541-542); Jarrell, “Death of the Ball Turret Gunner” (505); Dickinson, “Because I could not stop for Death” (440-441)
*See also
here for information re. ball turrets *LitIQ Quiz A: Sound; LitIQ Quiz B: Sound |
|
|
Friday, Oct. 24 |
Last Day to Withdraw? (see above) | |
| 9 |
Tuesday, Oct. 28 |
Frost,
“Stopping
by Woods on a Snowy Evening”
(472); Thomas, “Do Not Go Gentle Into That Good Night” (582) |
|
Thursday, Oct. 30 |
Millay,
“What
lips my lips have kissed”
(534-535);
*LitIQ Quiz A: Figures of Speech;
LitIQ Quiz B: Figures of Speech |
|
| 10 |
Tuesday, Nov. 04 |
Cummings,
“in
Just-” (437); Shelley, “Ozymandias” (562) |
|
Thursday, Nov. 06 |
Williams,
“The Red Wheelbarrow”
(“So much depends...”) (587); Yeats, “The Second Coming” (597); Hopkins, “God’s Grandeur” (492) |
|
| 11 |
Tuesday, Nov. 11 |
Essay Two Due (Poetry); Exam Two (Poetry); Poetic Recitations |
|
Thursday, Nov. 13 |
Research Paper checklist | |
| 12 |
Tuesday, Nov. 18 |
The Seagull Reader: Literature: Plays (601-633); Glaspell, Trifles (949-964) *See also, “A Jury of Her Peers” (short story) and “A Jury of her Peers” (audio recording)
*Recommended viewing: |
|
Thursday, Nov. 20 |
Research Paper: Preliminary Draft
Due Sophocles, Oedipus the King (635-685) “It’s possible to locate various morals in Oedipus Rex–‘Heed oracles,’ say, or ‘Expect the unexpected,’ or ‘Marry in haste, repent at leisure’–and their existence confirms in us a sense of the universe’s underlying orderliness. But what makes Oedipus human is that of course he doesn’t heed the oracle.” Jonathan Franzen, “Why Bother?” “None of this would have happened if Mr. McAllister hadn’t meddled the way he did. He should have just accepted things as they are instead of trying to interfere with destiny. You see, you can’t interfere with destiny. That’s why it’s destiny. And if you try to interfere, the same thing’s going to happen anyway, and you’ll just suffer.” Tom Perrota, Election *see also, Summary and Analysis of Oedipus and 25-question quiz on Oedipus NOTE: These links are provided as an aid to understanding the text, not as a substitute! You are still expected to read the original text! *LitIQ Quiz A: Oedipus the King; LitIQ Quiz B: Oedipus the King |
|
| 13 |
Tuesday, Nov. 25 |
Sophocles, Oedipus the King (635-685) cont. |
|
Thursday, Nov. 27 |
Thanksgiving Recess: No classes (Wed., Nov. 26–Mon., Dec. 1) | |
| 14 |
Tuesday, Dec. 02 |
Shakespeare, Hamlet (686-814): Act I, minimum
*see also, No Fear Shakespeare:
Hamlet; Ed Friedlander,
Enjoying
Hamlet by William Shakespeare;
The
Hamlet Site;
The Life of William Shakespeare,
About Shakespearean Theater,
Summary and Analysis of Hamlet
, and an extremely abbreviated
Hamlet from
Book-a-Minute Classics *Recommended additional reading: Boose, Lynda E. and Richard Burt. “Totally Clueless? Shakespeare Goes Hollywood in the 1990s.” Shakespeare, The Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. 8-21. (reprinted in Film and Literature: An Introduction and Reader. Ed. Timothy Corrigan. Upper Saddle River, NJ: Prentice Hall, 1999. 340-356) Cohen, Paula Marantz. “Shakespeare Goes to the Movies.” DOJ: The Drexel Online Journal. Haig, Matt. The Dead Father’s Club: A Novel. New York: Viking, 2006. Kliman, Bernice W. Hamlet: Film, Television, and Audio Performance. Rutherford, NJ: 1988. Feldman, Gail M. “Adapting Shakespeare to Film.” Inside Film Magazine Online. *Recommended viewing: “Tales from the Public Domain: Hamlet.” (Episode DABF08) The Simpsons. Twentieth Century Fox, 2002. *Recommended cartoon: Ziegler, Jack. “An Early Draft.” The New Yorker 4 Aug. 2008: 36.
|
|
Thursday, Dec. 04 |
Research Paper: Final Draft Due Shakespeare, Hamlet (686-814) cont.: Acts II-III, minimum |
|
| 15 |
Tuesday, Dec. 09 |
Shakespeare, Hamlet (686-814) cont.: Acts IV-V |
|
Thursday, Dec. 11 |
Shakespeare, Hamlet (686-814) cont. (as needed) Sign up for Extra Credit (recitation) Last Day of Class |
|
| 16 |
Tuesday, Dec. 16 |
Essay Three Due (Drama); Poetic Recitations; Final Exam (Exam 3: Drama) |
|
Thursday, Dec. 18 |
For each of the assigned essays, a list of topic choices will be provided. Select one of the topics to discuss in a well-developed, coherent, and thoughtful essay. Your essay must be on one of the assigned topics for that assignment or developed in consultation with the instructor, or it will receive a grade of “F”. All essays must be submitted on or before the due date, by the beginning of the class period; late work will not be accepted. Read the instructions for each carefully, and be sure to focus carefully on the topic, and remember that these are formal essays: they must have an appropriate, original title; contain an introduction, body, and conclusion; have a clear, explicit, assertive, objectively worded thesis statement (thesis statements must be underlined); and (unless otherwise indicated) avoid use of I or you throughout. Essays should be grammatically correct, free of errors in mechanics, grammar, usage, spelling, and documentation, and will be evaluated according to the Model for Evaluation of Student Writing. Please refer to Writing a Literature Paper and Getting an A on an English Paper as well as the Revising and Editing Checklist for additional assistance.
Be sure to focus carefully on the topic: formulate a strong, objectively worded thesis, and avoid plot summary. Remember that these are formal essays: they must have an appropriate, original title; contain an introduction, body, and conclusion; have a clear, explicit, assertive, objectively worded thesis statement; and avoid use of “I” or “you” throughout.
Please feel free to communicate any concerns or questions to me before the essays are due; I will be available to meet with any student who needs assistance or additional instruction. Please speak to me before or after class or e-mail me to set up an appointment during my office hours.
Note: Due dates subject to revision according to the Academic Calendar for the semester, school closings due to inclement weather or other reasons, the instructor's discretion, and the progress of the class. Additions or changes will be announced in class, and they will also be posted here as well as on the class Announcements page.
Diagnostic
Essay:
Due Tuesday, Sept. 2
Select one of the following topics, and compose a formal essay. Your
essay will not receive a grade, not will it affect your final average; this is
for evaluative purposes only. You will have approximately one hour to complete
this essay. (Use of
“I”
is allowed for both choices.)
1. What is your favorite text, or who is your favorite author, and why? Defend your choice with specific examples.
2.
According to Steve Jobs, CEO of Apple,
“people don’t read anymore”
(see
“The
Passion of Steve Jobs”). With
radio, television, cable, and personal computers and the Internet, we are living
in a post-literate world. That
is, reading—for pleasure or for knowledge—is no longer necessary or important.
Do you agree or disagree? Why or why not?
Essay One--Short Fiction:
Due Tuesday, Oct. 7
After reading Hodges'
41 ("Writing about Literature"),
select one of the topics to discuss in a
well-developed, coherent, and thoughtful essay. Be sure to focus carefully on the topic,
and remember that these are formal essays: they must have an appropriate, original title;
contain an introduction, body, and conclusion; have a clear, explicit,
assertive, objectively worded thesis statement (thesis statements must be
underlined); and (unless otherwise indicated) avoid use of I or you
throughout. Note: This is not a research essay; the only sources
utilized or quoted should be the texts themselves.
Use of secondary sources, whether credited or
not, will be considered grounds for failure.
See also
Writing a
Literature Paper and
Getting an A
on an English Paper for additional assistance.
Emily Grierson in “A Rose for Emily” and the narrator of “The Yellow Wallpaper” are both privileged, protected women affected by circumstances beyond their control; however, paradoxically, both women take control of their situations or become empowered in some ways. Select one of these two women, and explain how she overcomes her powerlessness, and how she is able to use her apparent lack of power to subvert the established order of her society (in the context of the story, that is).
Write an analysis of the symbolism used in either Gilman’s “The Yellow Wallpaper” or Eudora Welty’s “A Worn Path.” What specific symbols occur in the story, and how do they function in the story? (Be sure to discuss more than just the one main symbol in each story!)
Write an analysis of the characterization of Miss Emily Grierson in Faulkner’s “A Rose for Emily” or of the narrator, Montresor, in Poe’s “The Cask of Amontillado.” How is he or she developed or revealed? What do we learn about him or her, and how? Focus on the author’s use of narration, description, and dialogue to reveal character.
Discuss the theme of either “A Worn Path” or “Everyday Use”; what is the central idea, thesis, or message of the story, and how is it revealed or developed?
Discuss the settings (or settings) in either O’Connor’s “A Good Man Is Hard to Find” or in Welty’s “A Worn Path,” including both location and time; what is the effect of the setting, what is its purpose, and how does it function in the story?
Essay Two--Poetry: Due
Tuesday,
Nov. 11
After reading Hodges'
41 ("Writing about Literature"),
select one of the topics to discuss in a
well-developed, coherent, and thoughtful essay. Be sure to focus carefully on the topic,
and remember that these are formal essays: they must have an appropriate, original title;
contain an introduction, body, and conclusion; have a clear, explicit,
assertive, objectively worded thesis statement (thesis statements must be
underlined); and (unless otherwise indicated) avoid use of I or you
throughout. Note: This is not a research essay; the only sources
utilized or quoted should be the texts themselves. See also
Writing a
Literature Paper and
Getting an A
on an English Paper for additional assistance.
Poems for either of the following topics should be selected from the textbook but not be listed on the syllabus. If the textbook does not have sufficient selections for you, try one or more of the links below. Note: if the poems you use are not in the textbook, you must include photocopies with your essay!
BP:
British Poetry 1780-1910: A
Hypertext Archive
CP: A Compendium of
Poetry
ME:
Modern English Collection, E-Text Center (U VA)
PA: Poetry Archives @ eMule.com
PB:
Project Bartleby
PL:
Poetry Archive at Plagiarist.com
PO: Poetry Online
RPO:
Representative Poets Online
Choose one of the following topics:
Select two poems written or published at least twenty-five years apart, that are both about the same subject matter: Nature, Art, Love, Sex, Age, Death or Mourning, War, Race, Gender. Compare and contrast the way the two treat the same theme. Your analysis should establish a clear connection between the two poems, beyond merely "They both discuss love" or "both refer to death"; rather, the connection should be based on similarities in situation, structure, language, imagery, theme, et cetera. For example,
Randall Jarrell’s “Death of the Ball Turret Gunner” and Emily Dickinson’s “Because I could not stop for Death” both feature first-person narrators who recount the circumstances of their own deaths; however, while the former poem presents an image of death as violent and pointless, the latter suggests that death may actually be a welcome end to the struggles and obligations of life.
Your essay should explore the poems' tone, speaker, language (including figurative language or imagery, diction, and allusions) and structure (including meter and rhyme scheme, or the lack of them), and explain how these are interrelated and how they shape or influence meaning.
Select a poem and a short story (not one read or discussed in class) that treat the same subject matter: Nature, Art, Love, Sex, Age, Death or Mourning, War, Race, Gender. Compare and contrast the way the two treat the same theme. As above, your analysis should establish a clear connection between the two works, beyond merely "They both discuss love" or "both refer to death"; rather, the connection should be based on similarities in situation, structure, language, imagery, et cetera, as above
Select a poem (or poems) and analyze how it challenges or calls into question our culture's beliefs or myths about "Art" or poetry, love, marriage or relationships between men and women, death, the nature of religious experience, the nature and causes of war, race and culture, or gender roles.
Research Paper:
Compose a clear, well-written, properly
documented (MLA
Style) argumentative essay of at least
1250-1500 words (roughly five pages minimum) on the topic you previously
selected (for Summary 1 and
Summary 2,
above), utilizing the
thesis statement and sources
from the preliminary bibliography
already submitted (see above).
The Research Essay should include a
cover page
and Works Cited page (cover
page and
Works Cited do not count toward
the five-page requirement).
The paper must be argumentative (persuasive), with a clear, explicit, and assertive thesis statement. Essays must use a minimum of three to five reputable critical or scholarly sources (including at least one short quotation, one long—block—quotation, and one paraphrase, from three different sources), and these references should be used to support your assertions and be properly documented (utilizing MLA-style citations for documentation). See also, Research Paper checklist.
Topic Selection and Preliminary Thesis: Due Thursday, Sept. 25
You must establish a clear thesis before you can begin to put together a focused, well-organized, and purposeful research essay. Therefore, as your first step in the research essay assignment, you must develop and submit a clear, well-written, one-page explanation of the topic you have chosen, your reason for the selection, your focus and opinion, and a clear, well-written, explicit, and assertive preliminary thesis. This proposal may also include a preliminary idea of the plan of the paper, its intention or research question, Note: Choose your topic carefully. You will not be allowed to change your topic once you have made your selection, although you may change your position on the particular issue and will, presumably, modify your thesis during the process of research and writing.Select one of the following broad topics. These topics need to be further restricted, so narrow and focus the topic yourself; then, compose your assertive thesis statement.
1.) Teaching Intelligent Design in public schools
3.) Compulsory motorcycle helmet laws
4.) Bio-medical stem-cell research
5.) Cell-phone Bans (e.g., while driving, et cetera)6.) Bilingual Education or English-Only Programs (the term “Bilingual Education” does not refer to teaching a second language to English-speaking students, for example French or Spanish in high school. Rather, it refers to teaching non-native English speakers (English Language Learners or ESL students) in their native language, in place of or in addition to English-language instruction. See, for example, Thompson, Ginger. “Where Education and Assimilation Collide.” New York Times 15 March 2009: 1, 21-22.)
7.) A debatable topic of your own, developed in consultation with the instructor, but not Abortion, the Death Penalty, Animal Experimentation, or any other subject that has been done to death
Your work should take the following form:
Topic: the topic selected from the list provided.
Rationale: why you have chosen to research and write about this particular topic.
Focus: a narrowed form of the subject, and the issue or debate involved.
Opinion: your subjective opinion on the debate or issue.
Thesis: your opinion, worded objectively.For example:
Topic: Assisted Suicide and Euthanasia (Note: this is not a real topic choice!)
Rationale: I selected this topic because I work in a critical care facility with many permanently disabled and even comatose patients. Many of the patients' families have to confront this issue regularly, like whether to "pull the plug" as it were, and I am not sure how I feel about it myself..
Focus: Should physician-assisted suicide be legalized for terminally ill patients?
Opinion: I think that assisted suicide should be okay, if the person is already dying anyhow.
Thesis: Voluntary physician-assisted suicide should be a legal option for terminally ill patients, to alleviate prolonged physical and emotional suffering and to avoid unnecessary expense.Annotated Bibliography: Due Tuesday, Oct. 14
You must submit an annotated preliminary bibliography with a minimum of five to seven sources, correctly cited according to MLA style. This may include up to three primary sources and a minimum of three to five secondary sources; secondary sources must be scholarly criticism or analysis, not summaries, reviews, or “analysis” from sites such as Wikipedia, 123HelpMe, or Gradesaver.com; instead, use the library and the available databases such as EBSCOHost or Lexis-Nexis to locate appropriate sources. In addition to a correct citation for each source, you must include a description or summary of the source, at least one paragraph long, and an explanation of how you foresee incorporating it into your essay. For additional information on Annotated Bibliographies, see the Purdue University Online Writing Lab (OWL).Preliminary Draft: Due Thursday, Nov. 20
A finished, typed preliminary draft of the completed research essay must be brought to class for evaluation and comments.
Be sure you are familiar with the following before beginning your essays:
Incorporating Sources (class handout)
Class Plagiarism Policy (on syllabus)
General Essay Instructions (on syllabus)
You might also find the following additional resources useful:
Works Cited page (Instructions & Sample) (Microsoft Word document)
Avoiding Plagiarism (Houghton-Mifflin web site)
Practice Incorporating Sources into Your Work (Houghton-Mifflin web site)
MLA Documentation Style for “Works Cited” (LaGuardia Community College Library web site)
Also, one would think that this would not even need to be stated, but read your sources carefully! Do not rely upon your general impressions based on what you think was said, or on what you read online at Wikipedia, 123HelpMe, or Gradesaver.com. There is no reason for your essays to contain factual errors!
Final Draft: Due Thursday, Dec. 4
The final research paper must be submitted in a research folder, including copies of all sources used. Be sure to print out or photocopy not only the works themselves, but also all secondary sources used, and highlight all relevant passages, whether quoted, paraphrased, or summarized. In addition, you must include all supporting documents as well: your previously submitted Topic, Annotated Bibliography, and Preliminary Draft. Failure to submit a complete research essay, either in a folder according to these instructions, or otherwise bound together (i.e., with a clip or rubber band, at least!) will be grounds for failure on the assignment. In addition, plagiarism, either in whole or in part, will result in automatic failure (a grade of zero) for the assignment, and therefore failure for the course as well.
Essay Three--Drama:
Due
Tuesday,
Dec. 16
After reading Hodges'
41 ("Writing about Literature"),
select one of the topics to discuss in a
well-developed, coherent, and thoughtful essay. Be sure to focus carefully on the topic,
and remember that these are formal essays: they must have an appropriate, original title;
contain an introduction, body, and conclusion; have a clear, explicit,
assertive, objectively worded thesis statement (thesis statements must be
underlined); and (unless otherwise indicated) avoid use of I or you
throughout. Note: This is not a research essay; the only sources
utilized or quoted should be the texts themselves. See also
Writing a
Literature Paper and
Getting an A
on an English Paper for additional assistance.
Compare/contrast Susan Glaspell's play Trifles with her short story, "A Jury of Her Peers" (not in textbook—available here or here). While the "story" (the plot or action) remains essentially unchanged, how does the prose fiction version differ from the dramatic version, and why? What necessary and significant differences between the two versions reflect the requirements of the different genres?
In Glaspell's Trifles, a division between male and female spheres arises and deepens as the play progresses. Explain how staging is essential to reflecting and revealing this division. Be sure to discuss set, stage directions, and placement of characters onstage.
In Sophocles' Oedipus the King, after he blinds himself, Oedipus states,
Apollo. Apollo. Dear
Children, the god was Apollo.
He brought my sick, sick upon me.
But the blinding hand was my own! (ll. 1286-1289)Or, in David Grene's translation,
It was Apollo, friends, Apollo,
that brought this bitter bitterness, my sorrows to completion.
But the hand that struck me
was none but my own. (ll. 1399-1402)
How does this statement refer not just to Oedipus’ blinding himself, but also to the entire tragedy?
Discuss the role of the Chorus in Oedipus the King. Does the Chorus present a consistent point of view differing from that of the other characters, and if so, why? What role does the Chorus play in the action, and how do the choral odes relate to or comment upon the action of the play?
Compare/contrast two different screen versions of Hamlet and their treatment or adaptation of the play. How does each adapt, change, or edit the play? What is changed or left out, and why? Good versions for this assignment include Laurence Olivier's 1948 version, Franco Zeffirelli's 1990 film starring Mel Gibson, Kenneth Branagh's 1996 film, and Michael Almereyda's 2000 version starring Ethan Hawke.
Each of Hamlet's major characters has one or more character flaws that influence plot development. Choose one of the following characters—Ophelia, Gertrude, Polonius, Laertes, Claudius, or Hamlet himself—and explain what specific weaknesses are demonstrated by the character. Through what words or actions is his or her weakness revealed, and how does the character's weakness contribute to the play's actions?
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Last Revised: Sunday, 15 March 2009
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