ENG 102: Composition II
(Literature and Composition) Section JF: Monday & Wednesday 12:30�1:45 AM, South 110 |
Bradley Hall, Y-203 e-mail: [email protected] |
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Essay Outline
DESCRIPTION:
This course is an introduction to writing about
literature. The course is designed for students to practice close reading and
organizing evidence to support their written interpretation and analysis of
literary texts. The course offers students continued practice in drafting,
revising, and editing essays. A primary goal for students is to produce clear,
well-developed, well-organized, grammatical writing. For at least one essay,
students use research materials.
Prerequisite:
ENG 101.
It is assumed that students have
successfully completed the prerequisite for this course,
ENG
101 (or the equivalent).
Therefore, students are expected to have the necessary background and experience
in analyzing, discussing, and responding to written works, as well as the ability
to conduct independent research and to write correctly documented research
essays using
MLA format.
Students are cautioned that this course requires extensive reading, writing, and discussions; students not prepared to read and to write on a regular basis and to take an active part in class discussions should not consider taking this course.
OBJECTIVES: Students will
1. Further enhance the skills, introduced in English 101, necessary for composing essays that support and develop a point of view, using literature as the prompt for writing.
2. Read fiction, poetry, drama, and possibly other materials for insight and appreciation.
3. Develop a repertoire of reading and writing strategies appropriate to different literary genres.
4. Understand the differences between primary and secondary sources.
5. Write as a away of exploring and enjoying literature, developing and confirming ideas in a process of communicating them.
6. Revise in order to substantially improve the focus, organization, and development of ideas.
7. Locate, evaluate, and cull information from archival and/or electronic sources.
8. Summarize, paraphrase, quote, and use MLA-style citations to document course reading and materials found through research in the construction and expression of a point of view.
9. Edit and proofread for usage and correctness of grammar, spelling, and punctuation.
10. Produce approximately 4,000�6,000 words across a series of written assignments and essays subject to evaluation, at least one of which is an essay of 1,000�1,500 words.
TEXTS:
Required:*
Gardner, Janet E., et
al., eds. Literature: A Portable Anthology,
3 ed. Boston:
Bedford/St. Martin�s, 2013 (Available starting at $30.00 at Amazon.com***)
OR Gardner, Janet E., et
al., eds. Literature: A Portable Anthology, 2 ed. Boston:
Bedford/St. Martin�s, 2009 (Available
used starting at $0.01 at Amazon.com***) and
Shakespeare, William. Othello. Ed. Stephen Orgel. New York:
Penguin, 2001 (Available
used starting at $1.26 at Amazon.com***), or another reputable paperback
edition.
Supplemental handouts, to be distributed in class
A good college-level (paperback) dictionary (Available used starting at $00.01 at Amazon.com***).
Recommended:
Hacker, Diana. Rules for Writers, 7 ed. Boston: Bedford/St. Martin�s, 2012 (Available used starting at $35.00 at Amazon.com***), or another current college-level handbook including 2009 MLA updates. Note: The sixth edition of Rules for Writers with 2009 MLA Updates is also available, and quite a bit less expensive (Available used starting at $00.01 at Amazon.com***).
(see also Additional Textbook Options, below)
Recommended additional texts:**
Bloom, Harold. Hamlet: Poem Unlimited. New York: Riverhead, 2003.�
---. How to Read and Why. New York: Scribner, 2000. (Available starting at $1.00 at Amazon.com***)
Boose, Lynda E. and Richard Burt. �Totally Clueless? Shakespeare Goes Hollywood in the 1990s� from Shakespeare, The Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. 8-21. (Available starting at $4.00 at Amazon.com***); reprinted in Corrigan.
Casagrande, June. Grammar Snobs are Great Big Meanies: A Guide to Language for Fun and Spite. New York: Penguin, 2006. (Available starting at $3.94 at Amazon.com***)
---. Mortal Syntax: 101 Language Choices That Will Get You Clobbered by the Grammar Snobs�Even If You�re Right. New York: Penguin, 2008 (Available used starting at $6.61 at Amazon.com***).
Cathcart, Thomas and Daniel Klein. �Logic.� Plato and a Platypus Walk into a Bar...: Understanding Philosophy Through Jokes. New York: Abrams Image, 2006. 27-49. (Available used starting at $6.73 at Amazon.com**)
---. Aristotle and an Aardvark Go to Washington: Understanding Political Doublespeak through Through Philosophy and Jokes. New York: Abrams Image, 2007. 27-49 (Available used starting at $10.85 at Amazon.com***).
Cohen, Paula Marantz. �Shakespeare Goes to the Movies.� DOJ: The Drexel Online Journal.
Corrigan, Timothy, ed. Film and Literature: An Introduction and Reader. Upper Saddle River, NJ: Prentice Hall, 1999. 340-356. (Available starting at $11.00 at Amazon.com***)
Crystal, David. Words, Words, Words. New York: Oxford U P, 2006 (Available used starting at $9.28 at Amazon.com***).
Denby, David. Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. New York: Simon & Schuster, 1996. (Available starting at $0.29 at Amazon.com***).
Dirda, Michael. Classics for Pleasure. Orlando, FL: Harcourt, 2007. (Available starting at $1.49 at Amazon.com***)
Feldman, Gail M. �Adapting Shakespeare to Film.� Inside Film Magazine Online.
Foster, Thomas C. How to Read Literature Like a Professor. [New York: Harper, 2008 ?].�
---. How to Read Novels Like a Professor. New York: Harper, 2008.
Giannetti, Louis. Understanding Movies, 10 ed. Upper Saddle River, NJ: Prentice Hall, 2005. (Available starting at $54.00 at Amazon.com***)
Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton, 2004. (Available used starting at $1.91 at Amazon.com***).
Haig, Matt. The Dead Father�s Club: A Novel. New York: Viking, 2006. (Available starting at $0.59 at Amazon.com***)
Kliman, Bernice W. Hamlet: Film, Television, and Audio Performance. Rutherford, NJ: 1988. (Available starting at $40.00 at Amazon.com***)�
Kozol, Jonathan. Letters to a Young Teacher. New York: Crown, 2007 (Available starting at $12.15 at Amazon.com***).
---. The Shame of the Nation: The Restoration of Apartheid Schooling in America. New York: Crown, 2005 (Available starting at $10.17 at Amazon.com***).
Lederer, Richard. Anguished English: An Anthology of Accidental Assaults Upon Our Language. Charleston, SC: Wyrick & Company, 1987 (Available used starting at $0.01 at Amazon.com***).
---. More Anguished English: An Expose of Embarrassing Excruciating, and Egregious Errors in English. New York: Dell, 1994 (Available used starting at $0.01 at Amazon.com***).
Lepore, Jill. The Secret History of Wonder Woman. New York: Knopf, 2014. (Available used starting at $13.71 at Amazon.com***).
Parrill, Sue. Jane Austen on Film and Television: A Critical Study of the Adaptations. Jefferson, NC: McFarland, 2002.
Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin, 1985, 2005. (Available used starting at $6.74 at Amazon.com***).
Ray, Michelle. Falling for Hamlet. New York, Boston: Little Brown, 2011. (Available used starting at $3.51 at Amazon.com***).
Showalter, Elaine. A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx. New York: Knopf, 2009. (Available used starting at $0.40 at Amazon.com***).
Updike, John. Gertrude and Claudius: A Novel. New York: Random House, 2001 (Available used starting at $0.01 at Amazon.com***).
Truss, Lynne. Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books, 2004 (Available used starting at $2.70 at Amazon.com***).
*Note: All of the individual stories, poems and plays to be read and discussed are available online; these are indicated on the schedule (below) as hyperlinks. However, students are still strongly cautioned that they must purchase the textbook for class use, as well as for the supplemental materials included. Three additional poems (
Cummings, �l(a,� Raleigh, �The Nymph�s Reply to the Shepherd,� and Blake�s �London�) are not included in the textbook, but may be accessed through the links provided and will be distributed as handouts in class.** Recommended additional texts are not required purchases, and have not been ordered for the course; however, they provide�depending on the course� alternative readings, historical and cultural backgrounds, criticism, personal literary responses, or entertaining (irreverent, possibly sacrilegious) revisions. Students who find themselves becoming deeply interested in one or more of the required readings may find these interesting and/or useful. When indicated with a dagger (�), texts are only provisionally recommended, as I have not read these works yet, although they have received excellent reviews or recommendations.
*** Prices listed at Amazon.com do not include shipping, and are accurate as of original posting date only; no guarantees of prices or availability are express or implied�.
Attendance:
As per the Nassau Community College
attendance policy, �Students
are expected to attend all classes. Absences due to illness or for other serious
reasons may be excused at the discretion of the instructor. Students are advised
that absences in excess of 10% of the total class meetings may result being
dropped from the course� (page
67 in
the 2014-2015 college catalog). Students must not only attend every
class and lab meeting, but also arrive on time, be prepared, and take an active part in class
(see Participation, below); students
may be required to sign in each class session to verify their attendance.
Excessive absences or latenesses will adversely affect your
grade. Students unable to attend class should contact the
instructor regarding their absence;
in addition, students are responsible for submitting all work on time regardless
of absences. In addition,
once students get to class, they are expected to stay in the classroom until the
class is over. Leaving class early or getting up in the middle of class is
considered disruptive behavior and should happen only in extreme emergencies.
Classroom Behavior:
Students are expected to be present, prepared,
attentive, and active participants in the learning process. As such, any
distracting or inappropriate behavior or unauthorized use of electronic devices
is strictly prohibited. Eating, sleeping, texting, or other inappropriate
behavior will result in your being asked to leave the class. According to
the �Student Code of Conduct,� �The College is committed to providing an
atmosphere in which students have freedom to learn and engage in the search for
truth, knowledge, and reason in accordance with the standards set forth by the
academic community. Conduct that adversely affects a student�s responsible
membership in the academic community shall result in appropriate disciplinary
action.� Appropriate disciplinary action may include but is not limited to
probation, suspension, and expulsion from the college. See the Nassau Community College
�Classroom Management Policy� (page 24-5 in
the college catalog) and
�Student Code of Conduct� (pages 34-9 in
the college catalog).
Plagiarism and Cheating:
Plagiarism includes copying or paraphrasing another�s words, ideas, or facts
without crediting the source; submitting a paper written by someone else, either
in whole or in part, as one�s own work; or submitting work previously submitted
for another course or instructor. Plagiarism, cheating, or other forms of
academic dishonesty on any assignment will
result in failure (a grade of zero) for that assignment and may result in further disciplinary
action, including but not limited to failure for the course and expulsion from
the college. See the Nassau Community College
policy on
�Academic Dishonesty and Plagiarism� (page
20 in
the college catalog).
Essay Submission
(General Essay Instructions):
For each of the assigned essays and projects, a topic or
list of topic choices is provided. Your work must be on one of the assigned
topics for that assignment or developed in consultation with the instructor* or
it will receive a grade of �F�.
You must obtain prior approval to write on topics other than those listed below; speak to me before or after class to set up an appointment during my office hours. Approval must be obtained at least one full week in advance of the due date.
All work must be received by the instructor on or before the due date, at the beginning of the class period, as indicated on the schedule, below. Late work will not be accepted, nor will essays be accepted via email. Failure to bring the required essay will result in a zero for the assignment, without opportunity for revisions.
For each of the essays, select one of the topics to discuss in a well-developed, coherent, and thoughtful essay. Be sure to focus carefully on the topic, and remember that these are formal essays: they must have an appropriate, original title; contain an introduction, body, and conclusion; have a clear, explicit, assertive, objectively worded thesis statement (thesis statements must be underlined); and (unless otherwise indicated) avoid use of I or you throughout. Note: Except where otherwise specified below, these are not research essays; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Essays 1 (fiction) and 3 (poetry) must be at least three to five pages (750 to 1250 words), the Midterm and Final (in-class) essays (Essays 2 and 4) must be a minimum of 600 words, and the Research Essay must be at least 1500 words (roughly six pages minimum).
All at-home work must be typed in 12-point Times New Roman font, double-spaced, and stapled when submitted. In-class work must be neatly printed in blue or black ink on composition paper or in bluebooks provided by the instructor and double-spaced�. All essays should be grammatically correct, free of errors in mechanics, grammar, usage, spelling, and documentation, and will be evaluated according to the Model for Evaluation of Student Writing. See also �Writing a Literature Paper� and �Getting an A on an English Paper� as well as the Essay Outline and Revising and Editing Checklist for additional assistance.Please refer to the following as well:
Formatting and Style Guide (Purdue Online Writing Lab)
Incorporating Sources (class handout)
Class Plagiarism Policy (on syllabus)and the LaGuardia Community College Policy on Academic Integrity (.pdf).
You might also find the following additional resources useful:
Works Cited page (Instructions & Sample) (Microsoft Word document)
Avoiding Plagiarism (Houghton-Mifflin web site)
Practice Incorporating Sources into Your Work (Houghton-Mifflin web site)
MLA Documentation of Films: Works Cited and In-Text Citations
MLA format (Purdue University�s Online Writing Lab)
Also, one would think that this would not even need to be stated, but read the work or works about which you are writing, and read them carefully! Do not rely upon your general impressions based on what you think was said in class, or on what you read online. There is no reason for your essays to contain factual errors.
Please feel free to communicate any concerns or questions to me before the essays are due; I will be available to meet with any student who needs assistance or additional instruction. Please speak to me before or after class or email me to set up an appointment during my office hours.
� On format, handwriting, and neatness, see Chase, Clinton I. �Essay Test Scoring: Interaction of Relevant Variables.� Journal of Educational Measurement 23.1 (1986): 33-41 and
Marshall, Jon C. and Jerry M. Powers. �Writing Neatness, Composition Errors, and Essay Grades.� Journal of Educational Measurement 6.2 (1988): 306-324.
Revisions:
All failing essays, with the exception of the Diagnostic Essay
and Final Essay, may be revised and
resubmitted
by the due dates announced, usually one week after the graded essays are returned. Essays receiving a passing grade
may also be revised and resubmitted, but only after the student has met with
the instructor during office hours (by appointment only) to discuss
revisions. Revisions must be substantially revised, not merely
�corrected� versions of the original essay (revisions should be based upon the
Revising and Editing Checklist
and relevant information from class and the textbooks), and must be
submitted with the original graded essay attached. Evidence of
substantial revision may result in a better grade for the assignment.
If you did not submit a completed essay on time, or if you submit a plagiarized essay, you will receive a grade of zero and may not submit a �revision.�
Make-up Exams/Late Work:
All assignment deadlines and scheduled exam dates are provided at the
beginning of the semester; therefore, late papers will not be accepted, nor will
make-up opportunities be offered, except under
extraordinary circumstances with appropriate documentation. Excuses such
as �crashed computers,� �lost flash drives,� or �empty printer ink cartridges� will not
be accepted.; therefore, be sure to save your work in multiple forms (computer�s hard drive,
flash drive, and cloud), and keep backup copies of all work submitted.
Disabilities and
Accommodations
:
If you have a
physical, psychological, medical, or learning disability that may impact your
ability to carry out assigned course work, I urge that you contact the Center
for Students with Disabilities(CSD), Building U. (516 572-7241). The counselors
at CSD will review your concerns and determine reasonable accommodations you
are entitled to by the Americans with Disabilities Act and Section 504 of the
Rehabilitation Act of 1973. All information and documentation of disability
remain confidential.
ASSIGNMENTS:
Attendance and
Participation (10%):
As this class will combine both lecture
and discussion, students are expected both to attend every session and to take
an active part in class�joining
in discussions and raising questions. Discussion is one of the best ways to
clarify your understandings and to test your conclusions. Open discussion always involves personal exposure, and thus the taking of
risks: your ideas may not be the same as your fellow students� or even the
instructor�s. Yet as long as your points are honest and supportable, they will be respected. Questions, discussion,
disagreement, and laughter are all encouraged.
Taking an active part
also means being prepared: students should bring pens, a notebook and/or
loose-leaf paper, and the textbook to every class. In addition, all reading or
writing assignments must be completed in advance, according to the
schedule (below).
Quizzes
and In-class Writing (10%):
With the exception of the first day, class may begin with a short (five-minute) quiz
or writing assignment on the readings for the day, at the instructor�s discretion. Quizzes cannot be made up; if you miss a quiz due to
absence or lateness, that grade will be recorded as a 0. At the end of the
semester, the lowest grade will be dropped. Students may also complete a number
of smaller in-class writing assignments, including summaries, exercises, or
short responses. Total number of quizzes and writing
assignments during the
semester will determine the point value of each; that is, if 11 quizzes/writing
assignments are
given (lowest grade dropped), each is worth up to one full percentage point.
Diagnostic Essay (ungraded):
Students will complete an in-class
Diagnostic Essay
at the beginning of the semester on
a topic provided. This essay is for evaluative purposes only: it will not
receive a grade, nor will it affect your final average.
At-Home Essays (2 @ 12.5%):
Students will complete two at-home critical essays during the semester: literary analyses of
works of
fiction and of poetry,
on
topics selected from the list of suggestions provided (see
Essay Topics) or developed in
consultation with the instructor. Essays must be at least three
to five (3-5)
pages (750 to 1000 words), typed (12-point Times New Roman), double-spaced, and stapled
(once, upper-left corner) when submitted�. Essays should be
grammatically correct, free of errors in mechanics, grammar, usage, spelling,
and documentation, and will be evaluated according to the
Model for Evaluation of Student Writing.
Please refer to
Writing a
Literature Paper and
Getting an A
on an English Paper as well as the Paragraph Outline or
Essay Outline and
Revising and Editing Checklist for
additional assistance.
� On format, handwriting, and neatness, see:
Chase, Clinton I. �Essay Test Scoring: Interaction of Relevant Variables.� Journal of Educational Measurement 23.1 (1986): 33-41 and
Marshall, Jon C. and Jerry M. Powers. �Writing Neatness, Composition Errors, and Essay Grades.� Journal of Educational Measurement 6.2 (1988): 306-324.
In-Class Essays: Midterm and Final
(2 @ 10%):
Students will also complete two open-book in-class essays
of at least 600 to 750 words,
a Midterm and Final. The essays will draw upon
the students� knowledge of material studied during the previous weeks, including short fiction, poetry, and drama.
Students will be allowed to use textbooks and a dictionary and/or
thesaurus for the essays.
Research Essay (35% total):
Students will also complete an argumentative (persuasive) Research Essay
of at least six pages (at least 1500 words), using
up to three primary sources and a minimum of three to five secondary
sources, correctly documented utilizing
MLA-style citations, with a
cover page
and
Works Cited page (cover page
and
Works Cited do not count toward the six-page requirement).
The
research essay will be completed in stages during the semester; points will
accrue as follows:
Topic Selection (5%):
Before beginning the research essay assignment, students will develop and
submit a clear, well-written, one-page (250-300 words) explanation of the topic chosen from the
list provided and the reason for selection. This proposal should include a
preliminary idea of the plan of the paper, its intention or research question,
and a possible preliminary thesis.
Annotated Bibliography (5%):
Students will develop and submit an annotated bibliography for the research
essay assignment, with a minimum of five to seven sources correctly cited
according to
MLA format.
Preliminary Outline and Draft
Introduction
(5%):
Students will complete an outline and a preliminary draft of their research essay
introduction for evaluation and comments.
Research Paper: Final Draft (20%):
The final draft of the research paper must be submitted in a folder,
including copies of all sources used and all of the above assignments associated
with the research paper.
Extra
Credit (possibly various opportunities, at 1�2
points each):
Students may be notified of opportunities for
extra credit during the semester, including attendance at various workshops or cultural events related to the
class (�Recommended Fieldtrips�). If students attend one or more of these
events, and provide evidence of attendance (ticket stub, program, unretouched
digital image, et cetera)
along with a typed one- to two-page personal response (review, analysis,
reflection, critique, et cetera), they can receive additional points: a
single event and written response is worth 2 points extra credit; attendance at
additional events will earn one additional point each.
Note: As a general rule, extra credit only helps if you have already completed all of the assigned work, and will not make up for missing an essay (or two, or three). Extra credit opportunities will be announced in class, and they will also be posted here as well as on the class Announcements page, so do not ask at the end of the semester for �extra credit� to bring your average up.
Extra Credit Opportunities to date:
The Critique of Reason: Romantic Art, 1760-1860
Friday, March 6 through Sunday, July 26
The first major collaborative exhibition between the Yale University Art Gallery and the Yale Center for British Art, The Critique of Reason offers an unprecedented opportunity to display together treasured works from both museums� collections. The show comprises paintings, sculptures, medals, watercolors, drawings, prints, and photographs by such iconic artists as William Blake, Th�odore G�ricault, Francisco de Goya, and Joseph Mallord William Turner. The broad range of work selected challenges the traditional notion of the Romantic artist as a brooding genius given to introversion and fantasy. Instead, the exhibition�s eight thematic sections juxtapose arresting works that reveal the Romantics as attentive explorers of their natural and cultural worlds.
Yale University Art Gallery.
1111 Chapel Street at York Street
New Haven, CT
203-432-0600
artgallery.yale.edu
FREE.
Monday, February 23, 8:00 pm
Lexington Avenue at 92nd St
Kaufmann Concert Hall
$
15�$35(35 and under tickets are available for patrons ages 35 and under. ID�s will be checked at the door.)
Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe
New World Stages
340 West 50th Street (Between 8th and 9th Avenue)
Clinton, Manhattan
212-239-6200
Written, composed, and directed by Jonathan Christenson
Production design by Bretta Gerecke
Through May 31, 2015
$75
�$115$30 under 30: A limited number of $30 rush tickets for patrons under 30 years of age will be available in person at the box office two hours prior to each performance while supplies last. Valid ID required.
Writing Center Grammar Review Workshops (1 point each)
Building Compound and Complex Sentences,
Using Relative Pronouns and Clauses ,
Using Tenses Correctly, Subject-Verb Agreement, the Verb PhraseTuesday Club Hour Series: Library L233A (except February 10: Bradley Hall Ballroom
February 10
11:30 am to 12:45 pm
Building Compound Sentences
February 24
11:30 am to 12:45 pm
Building Compound Sentences
March 3
11:30 am to 12:45 pm
Building Complex Sentences
March 24
11:30 am to 12:45 pm
Using Relative Pronouns & Clauses
April 7
11:30 am to 12:45 pm
Using Tenses Correctly
Tuesday Evening Series: CCB Building (*Evening Activity Hours: Regular Class Cancelled-- but check with your instructors.)
February 10
5:30pm-6:50pm EAH*
Building Compound Sentences
March 10
7:00pm-8:20pm EAH*
Building Complex Sentences
Wednesday Afternoon Series: Bradley Hall Ballroom
February 25
2:00 pm to 3:15 pm
Building Compound Sentences
March 11
2:00 pm to 3:15 pm
Building Complex Sentences
March 25
2:00 pm to 3:15 pm
Subject-Verb Agreement
April 8
2:00 pm to 3:15 pm
The Verb Phrase
Thursday Club Hour Series: Bradley Hall Ballroom
February 26
11:30 am to 12:45 pm
Building Complex Sentences
March 12
11:30 am to 12:45 pm
Subject-Verb Agreement
March 26
11:30 am to 12:45 pm
The Verb Phrase
To reserve a seat at these workshops, please stop by or call:
The Writing Center in Bradley Hall (Bldg. Y) at 572-7195
The Writing Center Annex on 2nd floor of Library, room L233 at 572-3595
Writing Center Spring 2015 MLA Research and Documentation Seminars (1 point each)
Topics include: Locating and Evaluating Sources, Integrating Sources into an Essay,
Creating and Formatting a Works Cited or Reference ListMLA Sessions:
Wednesday April 15 2:00 am to 3:15 pm Bradley Ballroom Tuesday April 21 8:30 pm to 9:50 pm* CCB Room TBA Thursday April 23 11:30 am to 12:45 pm Bradley Ballroom Tuesday April 28 11:30 am to 12:45 pm Library L233A Thursday April 30 11:30 am to 12:45 pm Bradley Ballroom Tuesday May 5 11:30 am to 12:45 pm Bradley Ballroom Thursday May 7 11:30 am to 12:45 pm Library L233A Evening Activity Hour*
APA Sessions
Thursday March 26 | 11:30 am to 12:45 pm | Library L233A |
Thursday April 9 | 11:30 am to 12:45 pm | Library L233A |
Tuesday April 21 | 11:30 am to 12:45 pm | Library L233A |
Seating is limited!
Register in advance by calling or visiting the Writing Center.
The Writing Center is located in Bradley Hall (Y Bldg., Ballroom) 572-7195
and in the Library (L Bldg., Room L 233) 572-3595
e-mail: [email protected] www.ncc.edu/writingcenter
Note: Extra credit will be given for attending MLA workshops only. Details about APA workshops are provided for your information only.
GRADING:
Final
grades will be determined as follows:
Attendance/Class Participation |
10% |
Quizzes and In-class Writing |
10% |
At-Home Essays: 2 @ 12.5% |
25% |
In-Class Essays (Midterm, Final): 2 @10% |
20% |
Research Paper (35% total) | |
5% | |
5% | |
5% | |
20% | |
Extra Credit (if any) will be added to the final total. |
Total Points earned (Final Average) will determine the grade received for the course, as follows:
Final Percentage |
Final Grade |
90�100+ |
A |
85�89 |
B+ |
80�84 | B |
75�79 |
C+ |
70�74 |
C |
65�69 |
D+ |
60�64 | D |
0�59 |
F |
Note: Percentages ending in .5 or greater are rounded up. Therefore, 79.5 rounds to 80, a B, but 79.4 rounds to 79, a C+. |
SCHEDULE AND PROJECTED OUTLINE
IMPORTANT DATES: SPRING 2015 SEMESTER | |
Monday, Jan. 19 | Martin Luther King, Jr. Day � COLLEGE HOLIDAY � offices closed |
Tuesday, Jan. 20 | Day, Evening & Distance Education Classes Begin |
Friday, Jan. 23 | Weekend Classes Begin |
Monday, Jan. 26 | Last Day Drop/Add |
Tuesday, Feb. 10 | Evening Activity Hour: 5:30 p.m. class will not meet |
Friday, Feb. 13 | Evening Classes Do Not Meet (classes beginning after 5:01pm) |
Feb. 14�19 | Classes Do Not Meet |
Monday, Feb. 16 | Presidents� Day � COLLEGE HOLIDAY � offices closed |
Tuesday, Feb. 17 | COLLEGE HOLIDAY � offices closed |
Friday, Feb. 20 | Day classes do not meet (Classes that begin before or at 5:00 PM) |
Mar. 30�Apr. 5 | Classes do not meet � Spring Break |
Friday, Apr. 3 | Passover/Good Friday � COLLEGE HOLIDAY � offices closed |
Friday Apr. 10 | Last Day Automatic W |
Tuesday, April 14 | Evening Activity Hour: 8:30 p.m. classes will not meet |
Wednesday, May 6 | Evening Classes Extended by Five Minutes for Final Exams |
Thursday, May 7 | Evening Classes Extended by Five Minutes for Final Exams |
Sunday, May 10 | Weekend Classes End |
Monday, May 11 | Evening Classes Extended by Five Minutes for Final Exams |
Tuesday, May 12 |
Evening Classes Extended by Five Minutes for Final Exams; Evening Classes End |
Monday, May 18 | Day & Distance Education Classes End |
NOTE: All dates subject to change.
|
Readings and
Assignments:
This schedule is for students using
Literature: A Portable Anthology, 3 edition
only. If you have
the second edition, you must find the appropriate page numbers yourself.
All readings below are required, and must be completed by the
class indicated; the only exceptions are those indicated with an asterisk (*),
which are recommended additional readings or resources. Several selections�Cummings� �l(a
,�
Raleigh�s �The
Nymph�s Reply to the Shepherd,� Blake�s �
Readings from Literature: A Portable Anthology are identified below by author and title as well as page numbers, e.g., Lawrence, �The Rocking-Horse Winner� (150-162) or, where the text�s critical apparatus and additional information are intended, by title and page number, e.g., �Writing About Literature: The Role of Good Reading� (1136-1150). Readings from Rules for Writers are identified below by title and page numbers, including references for both the current (7th) edition and the previous (6th edition, with 2009 MLA updates); e.g., �Documenting Sources in MLA Style� (Rules 7 ed. 479-523, 6 ed. 426-463). Additional readings may also be assigned.
Red text
indicates important dates or links to assignment descriptions; Blue text indicates links to assignments, resources, or online versions of texts; LitIQ Quizzes are additional, optional online exercises for review purposes only. (Note: While every effort is made to verify the accuracy and usefulness of these links and their contents, no guarantees are made. Please notify me of any broken or outdated links at [email protected]).Note: This schedule is subject to revision according to the instructor�s discretion, the Academic Calendar for the semester, school closings due to inclement weather or other reasons, and the progress of the class. Additions or changes will be announced in class, and they will also be posted here as well as on the class Announcements page.
Date |
|
Mon., 19 Jan. |
Martin Luther King, Jr. Day � COLLEGE HOLIDAY � offices closed |
Tues., 20 Jan. |
First Day of Weekday Classes, Spring 2015 |
Wed., 21 Jan. |
Course Introduction: Syllabus,
texts, policies, assignments |
Mon., 26 Jan. |
Last Day Drop/Add Class cancelled |
Wed., 28 Jan. |
�Writing About Literature: The Role of Good Reading� (1136-1150);
�Elements of Fiction� (1197-1200), esp. �Plot� (1197), �Character� (1197-1198), �Point of View� (1198), �Symbolism� (1199) Poe, �The Cask of Amontillado� (14-19)
* Recommended additional reading:
* Recommended listening:
* Recommended viewing:
*
Lit IQ Quiz A: Plot;
LitIQ Quiz B: Plot |
Mon., 2 Feb. |
Class cancelled (again) |
Wed., 4 Feb. |
�The Writing Process� (1151-1180);
�Common Writing Assignments � (1181-1196);
�Writing a Literary Research Paper� (1231-1266)
*Recommended additional reading: �Getting an A on an English Paper� by Jack Lynch, especially �Good Theses,� �Bad Theses,� and �Turning Bad Theses into Good Ones� and on O�Connor: Downes, Lawrence. �In Search of Flannery O�Connor.� New York Times 4 Feb. 2007. sec. 5: 1+. �Vacationing Woman Thinks Cats Miss Her.� The Onion 24 Jan. 2001
*Recommended viewing:
*
Lit IQ Quiz A: A Good Man Is Hard to Find;
LitIQ Quiz B: A Good Man Is Hard to Find |
Mon., 9 Feb. |
�Theme�
(1199),
�Setting�
(1198-1199), �Symbolism�
(1199);
*Recommended additional reading: Burger, Jerry M. �Replicating Milgram: Would People Still Obey Today?� (Word document; also here as .pdf); Cain, Susan. �The Rise of the New Groupthink.� New York Times 13 Jan. 2011 The Experiment. Dir. Paul Schereung. Perf. Adrien Brody and Forest Whitacker. Stage 6 Films/Sony Pictures Home Entertainment, 2010; Franklin, Ruth. �'The Lottery' Letters.� The NewYorker 26 June 2013. �Group Settings Can Diminish Expressions of Intelligence, Especially among Women, Study Finds.� ScienceDaily, 22 Jan. 2012. Web. 23 Jan. 2012; LeGuin, Ursula K. �The Ones Who Walk Away from Omelas�; Lessing, Doris. �Group Minds�; Milgram, Stanley. �The Perils of Obedience� (also here, or here and here as .pdf); �The Stanford Prison Experiment�; Tavris, Carol. �In Groups We Shrink from Loner's Heroics� (also here as .pdf) Zimbardo, Philip G. The Stanford Prison Experiment (website with slide show, embedded videos, discussion questions, bibliography and additional links)
*
Recommended viewing:
*
Lit IQ Quiz A: The Lottery;
LitIQ Quiz B: The Lottery |
Wed., 11 Feb. |
Lawrence, �The Rocking-Horse Winner� (150-162)
MLA Format and Annotated Bibliographies:
Recommended additional reading:
*
Recommended viewing:
*See also:
* Lit IQ Quiz A: The Rocking-Horse Winner; LitIQ Quiz B: The Rocking-Horse Winner |
Feb. 14�19 |
Classes Do Not Meet |
Mon., 23 Feb. |
Choice of stories:
*See also:
* Recommended viewing:
* Lit IQ Quiz A: Everyday Use;
LitIQ Quiz B: Everyday Use LitIQ Quiz A: The Lesson; LitIQ Quiz B: The Lesson |
Wed., 25 Feb. |
What is Poetry?;
Introduction to Poetic Analysis;
Cummings, �l(a�
(Handout);
*See also: and on Annotated Bibliographies: Purdue University Online Writing Lab (OWL) for additional information on Annotated Bibliographies, as well as Orlov, Anna, �Online Monitoring: A Threat to Online Privacy in the Wired Workplace: An Annotated Bibliography� and Ebel, Kimberly, �Class and Gender in Cinderella: Annotated Bibliography�
*
Lit IQ Quiz A: Theme;
LitIQ Quiz B: Theme |
Mon., 2 Mar. |
Shakespeare,
Sonnet 18: �Shall I compare thee to a summer�s day?� (453-454);
*See also: |
Wed., 4 Mar. |
Marlowe, �The
Passionate Shepherd to His Love� (452-453);
*See also: |
Mon., 9 Mar. |
Jarrell, �Death
of the Ball Turret Gunner� (577); Dickinson, �Because I could not stop for Death� (523-524) (see also, two different versions, here)
*See also: |
Wed., 11 Mar. |
Owen, �Dulce
et Decorum Est� (555);
*See also: |
Mon., 16 Mar. |
Midterm Exam (Essay Two) (Day 1)
*See also: |
Wed., 18 Mar. |
Midterm Exam (Essay Two) (Day 2) |
Mon., 23 Mar. |
Blake, �The Lamb� (473) (see image here), and �The Tyger� (474) (see image here)
*See also: |
Wed., 25 Mar. |
Blake, �London�
(Handout) (see image
here),
*See also: |
Mar. 30�Apr. 5 |
SPRING BREAK � Classes do not meet |
Mon., 6 Apr. |
Cummings, �in
Just-� (556-557); |
Wed., 8 Apr. |
Coleridge,
�Kubla
Khan� (484-485);
*See also: |
Fri., 10 Apr. |
Last Day Automatic W |
Mon., 13 Apr. |
�Writing about Plays� (1223-1230), including �Elements of Drama� and �Moral Ambiguity and Character Development in Trifles�; Glaspell, Trifles (913-920)
*See also,
* Recommended viewing:
*See also: |
Wed., 15 Apr. |
Research Outline and Introduction Due Glaspell, Trifles (913-920) continued (as needed) |
Mon., 20 Apr. |
Shakespeare, Othello, The Moor of Venice (751-849): Introduction and Backgrounds *Are you smarter than a fifth-grader? See The Hobart Shakespeareans: description and trailer.
*See also,
No Fear Shakespeare: Othello;
Biography of William Shakespeare;
About Shakespearean Theater;
Summary and Analysis of Othello; and an extremely abbreviated
Othello from
Book-a-Minute Classics
* Recommended viewing:
* Recommended additional reading: |
Wed., 22 Apr. |
Shakespeare, Othello, continued: Read at least through Act I |
Mon., 27 Apr. |
Shakespeare, Othello, continued: Read at least through Act II |
Wed., 29 Apr. |
Research Paper Due: Complete, final project (in folder) Shakespeare, Othello, continued: Read at least through Act III
*See also,
Research Paper Folder Checklist |
Mon., 4 May |
Shakespeare, Othello, continued: Read at least through Act IV |
Wed., 6 May |
|
Mon., 11 May |
Essay Four: Final Exam |
Wed., 13 May | Conferences (by appointment only!) |
Mon., 18 May |
Day & Distance Education Classes End |
For each of the assigned essays and projects, a topic or list of topic choices is provided. Your work must be on one of the assigned topics for that assignment or developed in consultation with the instructor* or it will receive a grade of �F�. Select one of the topics to discuss in a well-developed, coherent, and thoughtful essay. Be sure to focus carefully on the topic, and remember that these are formal essays: they must have an appropriate, original title; contain an introduction, body, and conclusion; have a clear, explicit, assertive, objectively worded thesis statement (thesis statements must be underlined); and (unless otherwise indicated) avoid use of I or you throughout.
Note: Except where otherwise specified below, these are not
research essays; the only sources utilized or quoted should be the texts
themselves.
Use of secondary sources, whether credited or not, will be considered grounds
for failure.
Diagnostic Essay: Wed., 21 January
Select one of the following topics, and compose a formal essay. Your
essay will not receive a grade, nor will it affect your final average; this is
for evaluative purposes only. You will have approximately one hour to complete
this essay. (Use of �I� is allowed for both choices.)
1. What is your favorite text�however you may define the term �text��or who is your favorite author, and why? Defend your choice with specific examples.
2. The late Steve Jobs, former CEO of Apple, once notably claimed that �people don�t read anymore� (see �The Passion of Steve Jobs�). With radio, television, cable, personal computers, smart phones, web-books, and tablets, we are living in a post-literate world, one in which people merely skim, browse, or surf rather than engaging in deep, meaningful reading for any prolonged periods of time. That is, sustained, concentrated reading*�for pleasure or for knowledge�is no longer necessary or important. Do you agree or disagree? Why or why not?
3. Why are you here? That is, what is your objective or goal? How do you anticipate achieving it, and how will this class, or your education at Nassau Community College, help you to achieve this goal?
*On reading, see also:
Bosman, Julie and Matt Richtel. �Finding
Your Books Interrupted...by the Tablet You Read It On.�
New York Times 18 March 2012;
Garner, Dwight. �The
Way We Read Now.�
New York Times 18 March 2012.
Essay One�Short Fiction: Due Wed., 25
February
After reading
�Writing About Literature�
(1136-1196)
and
�Writing about Stories�
(1197-1207),
and �Writing about Texts� (Rules
for Writers 7 ed. 70-83, 6 ed. 346-358), select one of the
following topics to discuss in a well-developed, coherent, and thoughtful essay
of at least three to five pages (750 to 1000 words). Essays must have an
appropriate, original title; contain an introduction (with an explicit,
assertive thesis, underlined), several body paragraphs supporting the
thesis, and an appropriate concluding paragraph; and avoid use of I or you
throughout. Be sure to use appropriate topic sentences and transitions to guide
the reader.
Remember that you are not summarizing the works, but responding to them in a critical manner. Include evidence or examples from the specific text or texts that you are writing about, but do not retell the story, and do not copy directly except when quoting. Remember to incorporate sources correctly: use signal phrases and document with parenthetical citations and a Work or Works Cited reference at the end of the essay.
Your essay will, as always, be evaluated in terms of Main Idea, Organization, Support, and Mechanics (Words and Sentences). Therefore, make certain your essay is not only well organized and developed, but also grammatically correct, free of errors in mechanics, grammar, usage, and spelling.
Note: This is not a research essay; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Write an analysis of the symbolism used in Alice Walker�s �Everyday Use.� What specific symbols occur in the story, and how do they function in the story? Do they form a unified pattern, or motif? (Be sure to discuss more than just one main symbol!)
Discuss the theme of Eudora Welty�s �A Worn Path�; what is the central idea, thesis, or message of the story, and how is it revealed or developed? Be sure to address how plot, setting, characters, and symbols all help to shape and reflect this theme.
In Toni Cade Bambera�s �The Lesson,� the narrator Sylvia ends by asserting that �ain�t nobody gonna beat me at nuthin� (353). What, if anything, has she learned, and what is her resolution or decision at the end of the story? How realistic is it, and how does it reflect or illustrate Bambera�s theme?
In Flannery O�Connor�s �A Good Man Is Hard to Find,� after he has shot the grandmother, the Misfit says of her, �She would of been a good woman...if it had been somebody there to shoot her every minute of her life� (288). What does he mean by this, and how is he correct�or incorrect�in his assessment?
An argumentative (not purely informative) fiction topic of your own, focusing on one or more of the stories from the syllabus and developed in consultation with the instructor.
Note: Students must obtain prior approval for independent topics; speak to me before or after class or set up an appointment during my office hours.
Essay Two�Midterm (In-Class Essay): Mon.
& Wed. 16 & 18 March
You have approximately two hours to write an essay of at least six
hundred (600) words. Before you begin to write, take time to focus on
a clearly defined subject and to plan your essay carefully. Essays must
have an appropriate, original title; contain an introduction (with an explicit,
assertive thesis, underlined), several body paragraphs supporting the
thesis, and an appropriate concluding paragraph; and avoid use of I or
you throughout. Be sure to use appropriate topic sentences and transitions
to guide the reader.
Remember that you are not summarizing the works, but responding to them in a critical manner. Include evidence or examples from the specific text or texts that you are writing about, but do not retell the story, and do not copy directly except when quoting. Remember to incorporate sources correctly: use signal phrases and document with parenthetical citations and a Work or Works Cited reference at the end of the essay.
Your essay will, as always, be evaluated in terms of Main Idea, Organization, Support, and Documentation. Therefore, make certain your essay is not only well organized and developed, but also grammatically correct, free of errors in mechanics, grammar, usage, and spelling. Leave room for corrections (skip lines or double-space, if necessary).
You may use the texts themselves (textbook, printout, or online links) and a dictionary and/or thesaurus (print, electronic, or online) for this essay, but no other materials or sources.
Note: This is not a research essay; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Topic(s) to be announced:
Midterm Revisions (optional): Due
Mon., 6 April
You may submit a revised version of your midterm exam; however, rather than
merely a �corrected� versions of the original essay, it must be substantially
revised and expanded: a well-developed, coherent, and thoughtful essay of at
least three to five pages (750 to 1000 words) and must be submitted with the
original graded bluebook essay attached. Evidence of substantial revision may
result in a better grade for the assignment.
Remember that essays must have an appropriate, original title; contain an introduction (with an explicit, assertive thesis, underlined), several body paragraphs supporting the thesis, and an appropriate concluding paragraph; and avoid use of I or you throughout. Be sure to use appropriate topic sentences and transitions to guide the reader. Also, you should not merely summarize the works, or regurgitate what you think was said in class, but respond to them in a thoughtful, critical manner. Be sure to include evidence or examples from the specific text or texts that you are writing about, but do not retell the story, and do not copy directly except when quoting. Remember to incorporate sources correctly: use signal phrases, use block form where appropriate, and document with parenthetical citations (cite poetry by line numbers and prose by page numbers) and a Work or Works Cited reference at the end of the essay.
Note: This is not a research essay; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Essay
Three�Poetry: Due Wed., 8 April
As above, after reading �Writing About Literature� (1136-1196), �Writing about
Poems� (1208-1222), and �Writing about Texts� (Rules
for Writers 7 ed. 70-83, 6 ed. 346-358), select one of the following
topics to discuss in a well-developed, coherent, and thoughtful essay of at
least three to five pages (750 to 1000 words). Essays must have an appropriate,
original title; contain an introduction (with an explicit, assertive thesis,
underlined), several body paragraphs supporting the thesis, and an appropriate
concluding paragraph; and avoid use of I or you throughout. Be sure to use
appropriate topic sentences and transitions to guide the reader.
Remember that you are not summarizing the works, but responding to them in a critical manner. Include evidence or examples from the specific text or texts that you are writing about, but do not retell the story, and do not copy directly except when quoting. Remember to incorporate sources correctly: use signal phrases and document with parenthetical citations and a Work or Works Cited reference at the end of the essay.
Your essay will, as always, be evaluated in terms of Main Idea, Organization, Support, and Mechanics (Words and Sentences). Therefore, make certain your essay is not only well organized and developed, but also grammatically correct, free of errors in mechanics, grammar, usage, and spelling.
Note: This is not a research essay; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Select one of the following topics.
Select a pair of poems from �Some Provocative Pairings� on the Literature: A Portable Anthology website, other than poems read or discussed in class.* Compare and/or contrast the way the two poems treat the same theme or subject matter: Nature, Art, Love, Sex, Age, Death or Mourning, War, Race, Gender, and so on. Your analysis should establish a clear connection between the two poems, beyond merely �They both discuss love� or �both refer to death�; rather, the connection should be based on similarities in situation, structure, language, imagery, theme, et cetera. For example,
Randall Jarrell�s �Death of the Ball Turret Gunner� and Emily Dickinson�s �Because I could not stop for Death� both feature first-person narrators who recount the circumstances of their own deaths; however, while the former poem presents an image of death as violent and pointless, the latter suggests that death may actually be a welcome end to the struggles and obligations of life.
Your essay should explore the poems� tone, speaker, language (including figurative language or imagery, diction, and allusions) and structure (including meter and rhyme scheme, or the lack of them), and explain how these are interrelated and how they shape or influence meaning.
Note: As announced in class, you may not write on either of the following pairs:
Theodore Roethke�s �My Papa�s Waltz� and Robert Hayden�s �Those Winter Sundays�
Robert Frost�s �The Road Not Taken� and William
Stafford�s �Traveling through the Dark.�
Select a poem other than ones read or discussed in class* and the lyrics to a song that treats the same subject matter: Nature, Art, Love, Sex, Age, Death or Mourning, War, Race, Gender, and so on, and compare and/or contrast the way the two treat the same theme. As above, your analysis should establish a clear connection between the two works, beyond merely �They both discuss love� or �both refer to death�; rather, the connection should be based on similarities in situation, structure, language, imagery, et cetera. Note that you are to focus on the song�s lyrics only, as a work of poetry, not the performance, video, or other presentation of the song. Also, be sure to cite the author of the lyrics, not the singer.
* Note: Texts for the above topics may not be selected from those listed on the syllabus. If the textbook does not have sufficient poems for you, try one or more of the links below, and be sure to use only works from professional, recognized poets (or lyricists). If the poems or lyrics you use are not in the textbook, you must include copies with your essay! Also, consulting with the instructor concerning your choice of texts is strongly recommended.
BP: British Poetry 1780-1910: A Hypertext Archive
CP: A Compendium of Poetry
ME: Modern English Collection, E-Text Center (U VA)
PA: Poetry Archives @ eMule.com
PB: Project Bartleby
PL: Poetry Archive at Plagiarist.com
PO: Poetry Online
RPO: Representative Poets Online
Essay Four�Final In-Class Essay: Due Mon., 11
May;
continued on Wed., 13 May as needed
You have approximately two hours to write an essay of at least six hundred (600) words. Before you begin to write, take time to focus on a clearly defined subject and to plan your essay carefully. Essays must have an appropriate, original title; contain an introduction (with an explicit, assertive thesis, underlined), several body paragraphs supporting the thesis, and an appropriate concluding paragraph; and avoid use of I or you throughout. Be sure to use appropriate topic sentences and transitions to guide the reader.
Remember that you are not summarizing the works, but responding to them in a critical manner. Include evidence or examples from the specific text or texts that you are writing about, but do not retell the story, and do not copy directly except when quoting. Remember to incorporate sources correctly: use signal phrases and document with parenthetical citations and a Work or Works Cited reference at the end of the essay.
Your essay will, as always, be evaluated in terms of Main Idea, Organization, Support, and Mechanics (Words and Sentences). Therefore, make certain your essay is not only well organized and developed, but also grammatically correct, free of errors in mechanics, grammar, usage, and spelling. Leave room for corrections (skip lines or double-space, if necessary).
You may use the texts themselves (textbook, printout, or online links) and a dictionary and/or thesaurus (print, electronic, or online) for this essay, but no other materials or sources. Note: This is not a research essay; the only sources utilized or quoted should be the texts themselves. Use of secondary sources, whether credited or not, will be considered grounds for failure.
Topic(s) to be announced.
Research Paper:
After reading �Writing a Literary Research Paper� (1231-1266), compose a
clear, well-written, properly documented (MLA
format) argumentative essay of at least 1500 words (roughly six pages
minimum), with a
cover page and
Works Cited page (cover
page and
Works Cited do not count toward the six-page requirement). The paper must be
argumentative (persuasive), with a clear, explicit, and assertive thesis
statement (thesis statements must be underlined), and must use up to
three primary sources and a minimum of three to five secondary sources;
secondary sources must be scholarly criticism or analysis, not summaries,
reviews, or �analysis� from sites such as e-Notes, SparkNotes,
Wikipedia*,
123HelpMe, or Gradesaver.com; instead, use the library resources,
including the
available electronic databases such as
Academic Search Complete,
Literary Sources through Artemis,
Literature Resource Center,
Bloom's Literary Reference,
Literature Criticism Online,
Humanities Source,
Project MUSE - Standard Collection,
MagillOnLiterature Plus, and
JSTOR Arts & Sciences I Current Collection to locate appropriate
sources. To access the databases from home, click on the individual database
link. Then, when prompted, enter your username (N #) and password (PIN). You
must include at least one short quotation, one long�block�quotation, and one
paraphrase, and these sources must be properly documented (utilizing
MLA format), and integrated into your writing smoothly and correctly. See
also
Research Paper checklist.
* On use of Wikipedia in college-level research, see Wikipedia founder Jimmy Wales on PBS NewsHour, here: �I don't think at a university level it makes sense to cite any encyclopedia in an academic paper. That's just not what an encyclopedia's role is in the research process. Maybe if you're in junior high, you know? If some kid out there is twelve years old and they wrote something and they put in a footnote, we should be thrilled, right? That's his first start on the idea of crediting other people with ideas and things like that, but at the university level? No, it's a bit junior high to cite an encyclopedia.�
Topic Selection:
Due Mon., 9 February
Before beginning the research essay assignment, you must develop and submit
a clear, well-written, one-page explanation of the topic you have chosen and
your reason for selection. This proposal should be at least 250-300 words, and
include a preliminary idea of the plan of the paper, its intention or research
question, and a possible preliminary thesis. Select one of the following
topics. Note: See me before the assignment is due if you wish to
discuss another appropriate topic.
1. According to some interpretations, a distinction seems to be drawn between legal and moral justice in Susan Glaspell�s play Trifles (and also in her short story, �A Jury of Her Peers��not in textbook, but available here or here). In other words, while the men seem to focus primarily on motive and guilt, the women focus on causes and justification. Why? That is, how does the socio-cultural milieu, the context of the play, inform the characters behavior and perspective? Consider the actual social, political, and legal roles of both men and women at the time the work was written. Caution: Do not merely repeat vague generalizations about rights here; actual research is required. See the bibliography of literary criticism and scholarly research at the Susan Gaspell Society website, Elaine Showalter's A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (New York: Knopf, 2009) and, oddly, even The Secret History of Wonder Woman by Jill Lepore (New York: Knopf, 2014) might be useful!
2. Compare/contrast two different screen versions of Othello and their treatment or adaptation of the play. How does each adapt, change, or edit the play? What is changed or left out, and why? Good versions for this assignment include the classic/embarrassing 1952 version by Orson Welles, Laurence Olivier�s classic 1965 version, Oliver Parker�s 1995 adaptation, starring Laurence Fishburn and Irene Jacob, or 0, starring Mekhi Phifer and Julia Stiles, a modernization and adaptation of Othello. You should consider addressing specific elements including (but not limited to) plot or dramatic structure, setting and set design, characterization (character development), theme, narrative point of view, performance, cinematography (including type and length of shots, angles, composition, proxemic patterns, color, lighting), costuming, sound, music, special effects, running time, and intended audience. Note: several movie versions are available at local libraries, or online through Amazon or Netflix.
3. Select any one of the authors from the syllabus, and find one long work (a novel or play) or at least two to three short works (poems or short stories) by that author but which are not listed on the syllabus. For example, if you enjoyed reading Frost�s �Stopping by Woods on a Snowy Evening,� select several other poems by Frost (but not �The Road Not Taken�!). Your essay should be a close, critical analysis of the work or works, including an argumentative thesis: Do not provide a biography of the author or a summary of the texts; instead, your thesis must be a claim about the work or works that represents your interpretation and that is supported with textual evidence. Your project must address specific appropriate elements including (but not limited to)�depending on genre�plot or dramatic structure, setting, characterization, point of view, speaker or narrator, language (including figurative language or imagery, diction, and allusions) and for poetry, structure (including meter and rhyme scheme, or the lack of them), intended audience, and theme, as appropriate.
Annotated
Bibliography: Due Wed., 4 March
You must submit an annotated preliminary bibliography with a minimum of five
to seven sources, correctly cited according to
MLA format. This may include up to three primary sources and a minimum
of three to five secondary sources; secondary sources must be scholarly
criticism or analysis, not summaries, reviews, or �analysis� from sites such as
e-Notes, SparkNotes, Wikipedia*,
123HelpMe, or Gradesaver.com; instead, use the library resources,
including the
available electronic databases such as
Academic Search Complete,
Literary Sources through Artemis,
Literature Resource Center,
Bloom's Literary Reference,
Literature Criticism Online,
Humanities Source,
Project MUSE - Standard Collection,
MagillOnLiterature Plus, and
JSTOR Arts & Sciences I Current Collection to locate appropriate
sources. To access the databases from home, click on the individual database
link. Then, when prompted, enter your username (N #) and password (PIN). In
addition to a correct citation for each source, you must include a description
or summary of the source, at least one paragraph long, and an explanation of how
you foresee incorporating it into your essay. For additional information on
Annotated Bibliographies, see the
Purdue University Online Writing Lab (OWL)�s
Annotated Bibliographies, as well as �Online
Monitoring: A Threat to Employee Privacy in the Workplace: An Annotated
Bibliography.�
Preliminary Outline
and Draft Introduction: Due Wed., 15 April
A finished, typed outline of the research essay and a draft introduction
must be brought to class for evaluation and comments. This should be a
detailed outline of your projected research essay, including up to three
primary sources and a minimum of three to five secondary sources.
Note: you do not need to submit the folder containing copies of your
sources at this time.
Final Draft:
Due Wed., 29 April
The final research paper must be submitted in a research folder,
including copies of all sources used. Be sure to print out or photocopy all
secondary sources, and highlight all relevant passages, whether quoted,
paraphrased, or summarized. You must also include all supporting documents: your
previously submitted
Topic Selection,
Annotated Bibliography, and
Preliminary Outline and Draft Introduction.
Your essay must be clear, well-written, properly documented (MLA format), argumentative, and at least 1500 words (roughly six pages minimum), with a cover page and Works Cited page (cover page and Works Cited do not count toward the six-page requirement). The paper must be argumentative (persuasive), with a clear, explicit, and assertive thesis statement (thesis statements�as always�must be underlined), and must use up to three primary sources and a minimum of three to five secondary sources; secondary sources must be scholarly criticism or analysis from peer-reviewed journals and must be accessed through the library databases such as Academic Search Complete, DOAJ: Languages and Literatures, Gale Literary Index, or Humanities Full Text, not summaries, reviews, or �analysis� from sites such as e-Notes, SparkNotes, Wikipedia*, 123HelpMe, or Gradesaver.com. You must include at least one short quotation, one long�block�quotation, and one paraphrase, and these sources must be properly documented (utilizing MLA format), and integrated into your writing smoothly and correctly. See also Research Paper checklist (supplemental handouts packet).
Failure to submit a complete research essay in a folder according to these instructions will be grounds for failure on the assignment. In addition, plagiarism, either in whole or in part, will result in automatic failure (a grade of zero) for the assignment, just as for any essay, and therefore likely failure for the course as well.
Please refer to the following as well:
�Writing about Texts� (Rules for Writers 7 ed. 70-83, 6 ed. 346-358)
�Citing sources; avoiding plagiarism,� �Integrating sources,� (
Research Paper Revision and Editing Checklist (supplemental handouts packet)
Research Paper Folder Checklist (supplemental handouts packet)
Grammar, Writing, and Research Papers: | |
Society for the Preservation of English Language and Literature |
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Used Textbooks:
Bigwords.com |
E-Books:
Bkstore.com (B&N) |
Textbook Rental:
Bookrenter.com |
Comparison Shopping:
Abebooks.com |
* Links to sites for textbook purchase or rental are provided for students seeking textbook options; no guarantees or recommendations concerning these services are intended, either express or implied. |
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Research should begin with the available electronic databases such as Academic Search Complete, Literary Sources through Artemis, Literature Resource Center, Bloom's Literary Reference, Literature Criticism Online, Humanities Source, Project MUSE - Standard Collection, MagillOnLiterature Plus, and JSTOR Arts & Sciences I Current Collection. To access the databases from home, click on the individual database link. Then, when prompted, enter your username (N #) and password (PIN).
The following selective lists are intended to provide
jumping off points for research; Notify me of any broken or outdated links at [email protected]. |
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Susan Glaspell: Trifles and �A Jury of Her Peers� Start with the bibliography of literary criticism and scholarly research at the Susan Glaspell Society website. Several of these references are standards, and accessible through the library databases, including: Alkalay-Gut, Karen. ��A Jury of Her Peers�: The Importance of Trifles.� Studies in Short Fiction 21.1 (Winter 1984): 1-9. ---. �Murder and Marriage: Another Look at Trifles.� In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 71-81. Angel, Marina. �Criminal Law and Women: Giving the Abused Woman Who Kills A Jury of Her Peers Who Appreciate Trifles.� American Criminal Law Review 33 (1996): 229+. ---. �Susan Glaspell�s Trifles and �A Jury of Her Peers�: Woman Abuse in a Literary and Legal Context.� Buffalo Law Review 46.2 (Spring 1998): 779+. ---. �Teaching Susan Glaspell�s �A Jury of Her Peers� and Trifles.� Journal of Legal Education 53.4 (December 2003): 548-563. Grose, Janet L. �Susan Glaspell�s Trifles and �A Jury of Her Peers�: Feminine Reading and Communication.� Tennessee Philological Bulletin: Proceedings of the Annual Meeting of the Tennessee Philological Association (TPB). 36 (1999): 37-48. Lepore, Jill. The Secret History of Wonder Woman. New York: Knopf, 2014.
Mustazza, Leonard. �Generic Translation and Thematic Shift in Susan Glaspell�s Trifles and
�A Jury of Her Peers.�� Studies
in Short Fiction 26.4
(Fall 1989): 489-96.
Schotland, Sara D. �When Ethical Principles and Feminist Jurisprudence
Collide: An Unorthodox Reading of �A Jury of Her Peers.�� St. John�s Journal
of Legal Commentary 24.1 (Summer 2009): 53-71.
Showalter, Elaine.
A Jury of Her Peers: American Women
Writers from Anne Bradstreet to Annie Proulx. New York: Knopf, 2009. See also
�Literary
Resources: Feminism and Women�s
Literature� |
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Cinematic Adaptations of Othello Information about specific movies can be found on IMDB.com (the Internet Movie Database): here Movie reviews can be found at MRQE.com (the Movie Review Query Engine): here Also r ecommended:Boose, Lynda E. and Richard Burt. �Totally Clueless? Shakespeare Goes Hollywood in the 1990s.� Shakespeare, The Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. 8-21. (reprinted in Film and Literature: An Introduction and Reader. Ed. Timothy Corrigan. Upper Saddle River, NJ: Prentice Hall, 1999. 340-356) Cohen, Paula Marantz. �Shakespeare Goes to the Movies.� DOJ: The Drexel Online Journal. Feldman, Gail M. �Adapting Shakespeare to Film.� Inside Film Magazine Online. See also: Corrigan, Timothy, ed. Film and Literature: An Introduction and Reader. Upper Saddle River, NJ: Prentice Hall, 1999. 340-356. (Available starting at $11.00 at Amazon.com) Giannetti, Louis. Understanding Movies, 10 ed. Upper Saddle River, NJ: Prentice Hall, 2005. (Available starting at $54.00 at Amazon.com) Seger, Linda. The Art of Adaptation: Turning Fact And Fiction Into Film. [New York?]: Owl Books, 1992. (Available starting at $1.25 at Amazon.com) |
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Robert Frost Robert Frost at MPAS (Modern American Poetry Site) includes useful information to begin with, including biography, links, and information/readings of specific poems. Also r ecommended (pending link verification):A Frost Bouquet: An Exhibition in the Tracy W. McGregor Room (Univ. of Virginia) -- A highly illustrated exhibition on Frost�s life and works, including facsimiles of drafts and published poems. The Robert Frost Web Site (biography, selected poems, and bibliographies) In Quest of Robert Frost (links and a selection of poems) |
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Edgar Allen Poe Start with The Poe Decoder, which includes several essays on Poe and his works, as well as the following useful links:
Qrisse's Poe Pages
Precisely Poe
Edgar Allan Poe's House of
Usher
Medical Humanities at New York University
The Edgar Allan Poe Society of Baltimore |
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William Butler Yeats ..... Also r ecommended (pending link verification):Yeats, William Butler - Poetry Today Online Yeats, William Butler - W. B. Yeats: The Collected Poems W. B. Yeats: The Collected Poems Yeats, William Butler - Wild Swans at Coole Yeats, William Butler - Atlantic Monthly Heart�s Ease Library - William Butler Yeats Guardian Unlimited - William Butler Yeats, 1865-1939 |
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